Mythmaking
My work starts from one idea: everyone is carrying an enormous interior life (memory, desire, grief, history) while looking, from the outside, like a person on their way to something ordinary. I'm interested in the gap between those two things, and in what happens when art closes it, even for a moment.
I don't believe there's a hidden order behind this life, or another world waiting behind it. But I don't think that makes this one flat. If anything, knowing we're temporary (that places change, memories distort, murals themselves eventually disappear) makes the intensity of being alive feel far stranger than it has any right to. Myth-making is how I reach for that feeling, in a way that manages to be hyper-local and universal at the same time. It means borrowing the scale and permanence that myth carries and lending it to people who would never claim it for themselves. Showing them the extraordinary in their ordinary lives.
Every painting starts with a face or a pair of hands, built up as close to real as I can get them. That specificity is what lets a stranger recognise an actual person inside the myth. Around that figure, light carries most of the meaning. A hand breaking the surface of water, lit from somewhere below, says as much as the face above it. A length of thread pulled taut or glowing against a painted night sky does the same work. Both images come from a specific piece of folklore, existing or invented, and the painting takes its title from that story, so the myth sits underneath as hidden meaning: something a viewer can go looking for, or simply feel without ever being told what it is.
Almost all of this work happens in public space, and that matters to how it's met. Most people don’t decide to visit it. They're on their way to somewhere else, and something interrupts the ordinary register of their day. The artwork is how I get someone to stop. What happens after that is the actual work: a moment of slowness in a life that rarely allows for one, and the quiet recognition that their own story might be just as large.
Selected Works
The Weaver | Myths & Legends I (2025) Commissioned by Redbridge Council. Photo by StreetArtAtlas
Genesis: An Idea Flickers to Life | Myths & Legends VIII (2025) - For Southend City Jam
Guinevere Claims Her Own Heart | Myths & Legends VII (2025) - For Weston Wallz Festival
Wellspring | (2026) - Camberwell, London. Photo by @StreetArtAtlas
The Veil | (2026) Collaboration with Bullet on a String - Hackney Wick, London
Infinite (2026) - For Waterford Walls Festival
Berba: Goddess of the Barrow (2025) Athy, Ireland - Commissioned by Kildare County Council.
Lamplight (2026) Manchester, UK - Supported by Spray Days Official
Langoureth & the Fish that Never Swam | Myths & Legends III (2025) - For Yardworks Festival
Illuminated (2024) - For UPFEST Presents Art House
Candlelight (2023) - For WOM Takeover of Penge Rooftop Gallery
Shine Your Light (2023) - Commissioned by Colaiste Bride Secondary School
Festival Walls
Festival walls are where the work gets tested with no brief and no stakeholder group. I use them to push things I can't yet justify on a commission: a darker palette, a stranger light source, a composition that depends on the shape of the wall rather than fitting an image onto it.
Most of the ideas that end up in commissioned work started on a festival wall first.
Recent festivals include Upfest, Waterford Walls, Yardworks, Weston Wallz, Off the Wall Prague, Juntas Hacemos Más in Lisbon and Mexico, and Meeting of Styles in France, Greece, Kosovo and Finland.
Infinite | Waterford Walls, Ireland (2026)
Gemini | Upfest, UK (2026)
An Cailleach | Yardworks, UK (2026)
Guinevere Claims Her Own Heart | Weston Wallz, UK (2025)
Genesis: An Idea Flickers to Life | Southend City Jam, UK (2025)
Langoureth & The Fish That Never Swam | Yardworks, UK (2025)
Päivätär | MOS Finland Collab Wall (2025)
The Serpent Queen of Lisbon | Juntas Hacemos Mas, Portugal (2025)
The Sage | Upfest WOM Collective Collab Wall, UK (2024)
Artist in a Floating World | Southend City Jam, UK (2024)
Rueben | MOS Greece, (2024)
Lucy | Juntas Hacemos Mas, Lisbon (2024)
Tash | MOS Kosovo (2024)
Incantation | Whitecross Street Party, UK (2023)
Enchantment | MOS France (2023)
Journal
The Journal is a written space, a place for reflection on my practice. Here, I write about my own work: tracing where ideas come from, unpacking decisions after the fact, and trying to understand patterns that emerge across projects. It’s less about documenting outcomes, and more about sense-making, teasing out what the work is doing, and why certain themes, images, or questions keep returning.
Enquiries
For festival invitations, collaborations, or private commissions, feel free to get in touch.
Photo by @david.multicapture